Imprint

Katrina Kaye

My body is tight in
the stillness of dawn.
I long to touch toes,
to have purpose in my reach.

I can feel your imprint
in the bed beside me,
and I know it is probably
the craze of mourning but
I swear I heard you in the
next room.

I do not open my eyes.
I refuse to look for you
and allow the knowledge of
your absence.

I prefer this gentle
hallucination. The shift
of muscles in
early morning to bind me
inside the comfort of yesterday.

“Imprint” is previously published in Saturday’s Sirens (2020).

I come to you

Katrina Kaye

I come to you
warm and bleeding.
Raw and unbleached.

A slice across Achilles tendon,
unfelt shave of skin
that gushes ripe,
and drips footprints across
your Persian rug.
An invitation to follow.

I come with tact in hand,
spotting handshake,
staining interwoven lifelines.
The kindness presented to me
stabbed through palm.

In anticipation of your cold hands
and medicinal lips,
I offer a sun burn across my thighs.
A collection of rain drops
held tight in Mason jar.

I bring rose gardens
guarded by chain link fence
and two rows of razor wire,

an empty bottle
with my lipstick on the neck,
a cloche spouting sparrow feathers,
a jockey’s whip,
and an ex lover’s name
tattooed on skin that has
never seen the heat of flame.

You never ask where I’ve been;

You tend scratches,
recite a romance of battle
with gravel in your throat.
Show me two broken ribs,
and a bootleg audio of a concert
I was too drunk to remember.

You reciprocate generosity
with lean strokes of your stare
across my worse for wear face,

and whisper how my split nails,
calloused heels, and reckless speech
made you a better man.

“I come to you” is previously published in The Fall of a Sparrow (2014).

No Longer

Katrina Kaye

I do not see ghosts anymore
but they are still here.

I watch them in the sparrows
I no longer have the inclination
to chase. I feel them in the music
I no longer have the patience
to memorize. I dance with them,

but no longer remember when first
I learned the steps; I listen to their
words, though I no longer speak
their native tongue. I hear them in the drip
of the faucet late at night, the creak
of the floorboards as I pass through.

I can still feel them within this home,
these walls, this air. They remain.
The one constant I know.

“No Longer” is previously published in Rabbits for Luck (2016).