To the student who introduced me to Philip Glass:

Katrina Kaye

There must have been more to you.

A strength kept far
below your commonplace skin;

a philosophy found
in the keys of grand piano.

Perhaps I never noticed it
because it was in your hands,

the clean nails and posed
fingers of a pianist.

I was looking at a face
too eager to avoid my glance.

Maybe you didn’t play at all and
that secret was resting beside ear drum

and closed eyes as you followed
the notes with nodding head.

But oh,
how the staccato pierced me,
repetition and awakening,

The familiar and the cloaked
taking turns at who leads the dance.

The known or unknown, sage or novice,
Teacher becomes student and student-teacher.

Of all I have learned from doing
nothing more than listening,

this lesson is one of the sweetest.

“To the student who introduced me to Philip Glass:” is previously published in Verse Vital (2023).

Twenty Poems of Love by Pablo Neruda 

Katrina Kaye

You should have bought me a book of poetry. You could have inscribed it, scrawled signature, a pet name, an inside joke to remind me.

Remind me of an acoustic guitar plucked slow and staccato, mingled with a baritone voice and words of revolution, the fumble of fingers.

Remind me of a motel room off the highway, the road roaring in the backdrop, the air crisp through cracked window as I sucked breath through your lips.

You should have wrapped it in shiny paper before placing it in envelope, addressed my name on orange folds with your unknown, but I imagine, careless script.

 A token to remind me of songs about trains, long and slow, my head on your chest listening to the horses of your heart. Coffee at midnight and hunger pains at dawn.

The drip of your sweat falling from your face to mine, the cramp in the arch of my foot. It could have arrived a week late but still in time to souvenir my shelf, a keepsake to outlast you and me.

You could have said your favorite poem reminds you of me, it would become my favorite too and I could recite it in my head long after I forget the sound of your voice.

If you told me of one that you found beautiful, then when you called me beautiful, I might believe you. I’d know you have the ability to recognize beauty.

The beauty of rose gardens guarded by chain linked fence and two rows of razor wire. The beauty of a white no trespassing sign and the way your eyes twinkled as they sought a way around barrier.

I was disappointed when my mailbox remained empty. When the gift you were rumored to give, never arrived. I wouldn’t even know your handwriting if I saw it.

I crave the tangible, weight of hard cover, furl of pages, underlined passages. I would like to see it on my shelf, fulfilling a promise never given, providing a reminder of our time, a memento of something precious once longed for but never actualized.

Iphigenia

Katrina Kaye

I am your sacrifice,
the daughter whose blood can gift you home.

A unwinding of fate,

another snipped thread,
not quite golden.

You promised me a warrior’s bed
but delivered only spilt blood, knife to throat.

Your most sacred of lambs.

It is easy to give up what you never wanted;
what you never saw as your own.

I was your daughter,
I was not born merely to burn.
I hatched to spread wings.

Did you always see me as just another pawn,

a toy,

a golden coin,

not even your most precious?

My death secured your travel,
your destination now foreseeable,
but not what greets you upon your home shore.

I am helpless to your maneuvers above high waters,

but my mother is not so forgiving

and she waits,

axe in hand.