Figs

Katrina Kaye

My girlfriend gets drunk
and tells me about the life she almost had,
the man she almost stayed with,
the home she almost created.

She is remembering tonight:

a sweet regression to a time                when there was
more fruit on the tree,

when she had the novelty of choice.

It happens to all of us, doesn’t it?
That regress to younger days and different decisions.

But this was a hard one for her
and the confession of “what if” is
pouring out of her in words mildly slurred
in her high pitch, baby voice
that she only gets when she’s upset.
She keeps saying “I could’ve” as if
any of it mattered.

She is exhausted and broken and vulnerable
and honest and angry and innocent and
so human I can’t help but to love her.

Love her for being able to express and confess
all the lost fruit: the ones that dropped,
the ones that remained out of reach.

There are parts of me that have fallen away,
that I rarely miss, but every now and then
I have a vision of that former life:

a dream or a discombobulated memory
of what might have been                     trips and tricks

before flaking away like the top layer of
skin shed in the sun.

 

“Figs” is previously published in Steel Jackdaw Poetry (2025).

The Forest

Katrina Kaye

Our crowns lost their jewels
in the last days of October,
scattering red and gold
from heaven to earth
and everywhere in between.

But our heartwood out measures
the sapwood by multitude,
and our trunks have become stable
thick and knotted around midrib.

No longer lean or smooth,

            but sturdy

tough skinned,
holding the nicks and gnashes
of more passing seasons,

the bleaching of the sun,
and the freezing of tips.

The canopies we bloomed
to shade our earth have become
thinner and thinner each year:
patchy,

holes of sunlight break through,

We have become womb to wildlife.
We hold the nest safe
from the reach of prey,
and though our skin may be marked,
tattooed, stretched,
though they contain wounds and rot,
so much more than rind remains.

We remain.

We are not
pathetic creatures,
even if we no longer have
the pliable limbs of our youth

and our leaves no longer
reflourish in the spring.

There is no weakness here
and the twisting to roots
that tangle like serpents
after their own tails and limbs
contorted by patches of decay
create a display of ancient brilliance.

We are true and long lived and wise.
We are radiant.

“The Forest” is previously published in Kelp Journal (2024).

But isn’t this how

Katrina Kaye

we should live our lives?

Listening to music about fools in love;
dancing without worrying about
matching the beat; humming along

because there is no shame
in not knowing the words;

glancing out the window at
a blue sky; watching the mimosa flowers
wave from the neighbor’s yard;
writing poetry about the
potential of the world which humanity
does not deserve.

Our only noble purpose as a species is to
adore the raw beauty of our earth.

We were never meant to participate in the play,
we were meant to enjoy it, appreciate it,
applaud all its hard work to become
something sustainable for a species
as miserable as humankind who has
war and money and all the small chaos
we insisted on inventing.

We take for granted the things
that we are not credited. We act
unimpressed at the pure magic that
is this existence –

Perhaps if we slow down, if we watch
and listen and sit very still, we can enjoy
the show created for our pleasure.

“But isn’t this how” is previously published by Cajun Mutt Press (2024).