Forever

Katrina Kaye

The lies have always
come easy. A candy coated
vibration between tongue and tooth.

But the promise of forever
sparse slips between lips;

sweet slander,
rarely invoked.

That truth came early and often,
at least to anyone paying attention
to the shift of sun across sky,

the bloom of flower toward dawn,
or the ceaseless shedding of skin cells.

The flux of uncertainty,
measured only by the assurance of change
leaves hands grasping for stone monuments
and brick buildings, as if holding on to
a hardier composition can create a sense
of stability.

As though one may convince
themselves there is no impermanence at all,

but we have all witnessed
the easy break and eventual mend of bone.
We have regularly watched the shift of clouds
constructing and destructing across sky.

I have never been one to count
my syllables, or consider the validity of each
statement that cusses from mouth,

but forever is one lie
I will forever
resist.

“Forever” is previously published on Saturday’s Sirens (2023).

Alice

Katrina Kaye

little girl
with the
blue dress

acts sad
as she
prances around
the yard

pretending fish
tell tales
and looking-glasses
hold more
than reflections

she stopped
eating
the pink
frosted cookies
when she
found out
they were
the reason
she got
so big

she stopped
digging in
the backyard
after she
realized all
the rabbits
fled their holes

she wishes
her imagination
would take
hold of
her again

instead of
teasing her
with glimpses
into what
might be

if only
she could
fall asleep
a second time

“Alice” is previously published in A Scattering of Imperfection (2009) and More Fire than Sun (2008).

Boxes

Katrina Kaye

Surrounded by boxes:

mementos and memories,
bits of a lifetime gathered
and collected, carefully stored.

Weren’t there days
when these collections seemed too few?

Not enough good times;
not enough adventures;
not enough pictures;
not enough.

Various yesterdays mixed together
until it is impossible to tell
one apart from the next.

Is that what makes a life?
The proof of adventures once lived?

Is that enough?

And when does it become too much?

When the photo albums are full?
When the knick knacks are entirely
covered by years of ubiquitous dust?
When the ink of written word
is worn unreadable?

What to do with all the time spent
when there is no longer energy
enough to open the boxes?

Previously Published in “Otherwise Engaged” (2024).