To the student who introduced me to Philip Glass:

Katrina Kaye

There must have been more to you.

A strength kept far
below your commonplace skin;

a philosophy found
in the keys of grand piano.

Perhaps I never noticed it
because it was in your hands,

the clean nails and posed
fingers of a pianist.

I was looking at a face
too eager to avoid my glance.

Maybe you didn’t play at all and
that secret was resting beside ear drum

and closed eyes as you followed
the notes with nodding head.

But oh,
how the staccato pierced me,
repetition and awakening,

The familiar and the cloaked
taking turns at who leads the dance.

The known or unknown, sage or novice,
Teacher becomes student and student-teacher.

Of all I have learned from doing
nothing more than listening,

this lesson is one of the sweetest.

“To the student who introduced me to Philip Glass:” is previously published in Verse Vital (2023).

Do you remember

Katrina Kaye

the love song
I used to sing to you?
and how I meant every word,

but now I confuse the verse
with one I wrote for myself
and the words that were
on the tip of my tongue
have regressed to the
pit of my stomach.

I can’t sing for you
anymore.

The Pier

Katrina Kaye

You can see where the old pier
used to be, hundreds of water
warped posts standing at attention
in the shallow water. You can see

how low the tide has receded. They are
lost souls, blackened by time and hard
water, seething salt from tattered torsos.
They watch the beach as if they remembered

the feel of sand between their toes but
they have sulked too long, become one with
the rippling patterns. Strangers forever
separated by five distinctive feet.

“The Pier” is previously published in Chasing Rabbits (2012).