The Forest

Katrina Kaye

Our crowns lost their jewels
in the last days of October,
scattering red and gold
from heaven to earth
and everywhere in between.

But our heartwood out measures
the sapwood by multitude,
and our trunks have become stable
thick and knotted around midrib.

No longer lean or smooth,

            but sturdy

tough skinned,
holding the nicks and gnashes
of more passing seasons,

the bleaching of the sun,
and the freezing of tips.

The canopies we bloomed
to shade our earth have become
thinner and thinner each year:
patchy,

holes of sunlight break through,

We have become womb to wildlife.
We hold the nest safe
from the reach of prey,
and though our skin may be marked,
tattooed, stretched,
though they contain wounds and rot,
so much more than rind remains.

We remain.

We are not
pathetic creatures,
even if we no longer have
the pliable limbs of our youth

and our leaves no longer
reflourish in the spring.

There is no weakness here
and the twisting to roots
that tangle like serpents
after their own tails and limbs
contorted by patches of decay
create a display of ancient brilliance.

We are true and long lived and wise.
We are radiant.

“The Forest” is previously published in Kelp Journal (2024).

Lullaby

Katrina Kaye

the past plays wind instruments
outside bedroom window
a lullaby from a childhood
that slipped by too fast

it’s a tune that has gone unheard
for decades, yet you seem to know
the arrangement of notes
and can anticipate the changing pitch

what melody does the present
sound like other than static
from the television
left on across the room

there is no rush to end the lullaby
it is not the numbed silence from the stillness
of strings and quietude of auditorium we want
but the continuance of the melody

how can we hear the song
when the present is a distracting buzz
when the future is blaring its inevitability
so loud it rattles the windows

this song isn’t urgent to finish
but to be heard as it crests and crescendos
across the bedroom from east facing window
illuminating the dust that sways through stale air

“Lullaby” is previously published in No Longer Water (2024).

But isn’t this how

Katrina Kaye

we should live our lives?

Listening to music about fools in love;
dancing without worrying about
matching the beat; humming along

because there is no shame
in not knowing the words;

glancing out the window at
a blue sky; watching the mimosa flowers
wave from the neighbor’s yard;
writing poetry about the
potential of the world which humanity
does not deserve.

Our only noble purpose as a species is to
adore the raw beauty of our earth.

We were never meant to participate in the play,
we were meant to enjoy it, appreciate it,
applaud all its hard work to become
something sustainable for a species
as miserable as humankind who has
war and money and all the small chaos
we insisted on inventing.

We take for granted the things
that we are not credited. We act
unimpressed at the pure magic that
is this existence –

Perhaps if we slow down, if we watch
and listen and sit very still, we can enjoy
the show created for our pleasure.

“But isn’t this how” is previously published by Cajun Mutt Press (2024).