Identity

Katrina Kaye

Wings can fold around a broken body
like a mother’s hold, offering calm and comfort,
yet, with white feather and brittle bone,
it is possible to create shadows with jagged edges
against the walls of littered alley ways.

Do we dare fight nature
in order to create our own identity?
Do we become what is expected
instead of spreading wings and creating
a current all out own?

We have become desperate for new names.
we call ourselves rat face, time bomb, clever,
we call ourselves outcast, twisted lip, beast, child,
never what we really are.

Instead of attempting to reinvent the self
shouldn’t we just accept these marks of birth
and scars of experience so distinct upon our presence.
Let them identify our beings like a mother in a mortuary.

How does one surrender wings
that have always marked existence?
How does one become something he is not?

These wings can never truly be clipped,
just sawed down, plucked and carved,
distinction momentarily hidden
destine to grow anew.

“Identity” is previously published in They Don’t Make Memories Like That Anymore (2011).

Lighthouse

Katrina Kaye

Every blink
of your eyes

is a sunrise at sixteen,
when you told me

you loved me
and we watched the

sun eat the black.
Fifteen years later

you cling to me,
and I let you.

With each kiss
I promise

safe harbor,
with each touch

I seek to steer
your path.

I am
no beacon.

I am easily lost
to the night,

unable to guide
ships led astray.

My hands cannot
retain heat,

cannot heal or
offer cure from pain.

Yet, there is
a light in me

that still hopes I can
lead you home.

“Lighthouse” is previously published in Saturday’s Sirens (2021).

Highway

Katrina Kaye

Off the highway,
two miles outside of town,
the wind beckons
using a name  murmured by strangers.
It writes letters onto the skin of left hand
using an ex lover’s script
and gently presses right foot to pedal.

Open to the sky yet held earthbound,
vulnerable to asphalt and yellow lines,
entangled in turnpikes and exit signs.

Every unanswered desire
is painted inside rear view mirror,
a reminder of the path fate
once predicted, now left behind.

Between the pavement and the stars,
the road speaks violins and lifetimes,
ribbons and balloons freedom and possibilities,
the most gentle of gifts.

On this road two miles out of town,
a longing is conceived,
attached to every rib in cage,
to travel farther, to blister bare feet
with the miles trampled upon.

“Highway” is previously published in They Don’t Make Memories Like That Anymore (2011).