Hestia

Katrina Kaye

He leaves a quarter on bed sheets
and say thanks for the Sunday schooling.
She has always preferred curling ears around his tales
to using fingers and tongue to spin her own.

Her hand presses to vacant mattress
searching for remnants of warmth.
He has taken all of summer with him
and despite suggestions she trims her hair
instead of allowing him to weave inside and drag her off.

Solemnity settles in the back of throat.
She spreads her pavement over feet,
solidifying stump to floorboards.

This is her home.

Fastened to this place in patient stubbornness,
she turns lonely as the seasons
pop their joints and reposition their wrists.
The quickening of wind,
slap of branch to window,
yelp of swinging gate,
a collection of relics resembling the way
his legs dart and dash.

There is still a pulse fluttering in neck
that wishes his return.
A chip of bone in inner ear
listening for his knock on the door.
But not all bricks form paths paved in gold,
not everyone is looking to find their way home.

She sinks stagnate,
settled and sliced,
a dissection,
opened up for him to take all he needs,
and leave the rest on beaten trail
to sulk to seeds.

“Hestia” is previously published in They Don’t Make Memories Like That Anymore (2011).

Cahir

Katrina Kaye

They said it was
impregnable, but
we wandered in.
They left the portcullis raised
and cannon balls protruding.
We shuffled past
musket holes
and bow slits,
through the village,
towards the inner ward,
and into the keep.

We passed over with
an invader’s freedom.
We crept through it all,
sneaking into every crack,
like rats,
or lice.

We danced in the Great Hall
and raced to the top of the fortress walls.
From there we could see the
door they used to escape
when the siege broke and
the fires caught hold.

We passed the slick stones
and low ceilings of the jail.
Then crept up the narrow stairs
to the top of the tower.

We watched the Suir pushing around us.
We named a herring
that fished up stream
and for a moment
this was our world.

Then, like so many before us,
we were gone.

“Cahir” is previously published in A Scattering of Imperfections (2009).

Birdsong

Katrina Kaye

inspired by 1984

A thrush
alight on bough
in the sun

spread wings
then flit them carefully
into place

duck head
an obeisance to the sky
then pour forth
a torrent of song
startling

the bird shows
of its virtuosity
on and on
minute by minute

stops
spread and resettle wings
swell speckled breast
burst again

for whom?
for what?

No mate,
no rival watches,
lonely wood
pouring song
into the nothingness

mixes with
sunlight filtered
through leaves

stop thinking
merely feel

“Birdsong” is previously published on Rabbits for Luck (2016).