White Gardenias

Katrina Kaye

Gardenia petals
tossed off the balcony,
only to be crushed
under the heels of black boots.

One more opportunity
to show the difference
between white and ruin,
and yet when the bomb drops
we find ourselves
creeping toward windows
in hopes of a better view
to ease the curiosity
panting on our tongues.

The hunger is obscene,
but I no longer crave the sugar
I used to savor.

Curled into myself,
I feel no anger or madness,
just the repeated pitter patter
of the drops from window;
a constant reminder
that on this side of the world
mold consumes in darkness.

“Post Euphoria” is previously published in Fevers of the Mind (2022) and Otherwise Engaged (2022).

After He Left

Katrina Kaye

They said
I would start
hearing things:

the heater
click-click-clicking
on and off,

cars driving by
at all hours,
the tap, tap, taping of
the dog’s toe nails
on the kitchen floor,

a phone call
at two am,
the crash of the ice
from the freezer,
the rattle of wind
knock-knock-knocking
at the front door.

They said
I would hear
remnants of
our life together
in the morning news,

the creak-creak-creaking
of sunken
floorboards,
in the way the
blankets rustle
to the floor,

and the way water
drip-drip-drips
from faucet.

But I don’t
hear anything,
only silence.

Nothing but
silence.

“After He Left” is previously published in Door is a Jar (2023).

 

Prayers

Katrina Kaye

I know prayers like crickets,
small and sharp.

I pray to resist the temptation
of a Thursday night in the back
of your car and one drink too many.

I pray my body is in a state of redemption.

I pray skin toughens under desert sun;
the sand in my chest scrubs me clean,
scours the ill, the wicked,
the ugly
until it shines.

Do not allow me to regress into sickness.

Lead me not to deteriorate
into the fragile I once was.

I pray,

holding tight to wooden beads
that coddle the crook of my throat
cutting off circulation to hands,

 for daylight,

 for the flutter of wings,

for morning song.

“Prayers” is previously published in After Happy Hour Review (2022).