Be Content

Katrina Kaye

with sunlight
through kitchen window

the recorded
sounds of violins and wine
from a stemless glass
with a smudge
of lipstick on the rim

be not disappointed
with each gift
you have wrought

in an attempt to surrender
seclude to kitchen table
ask the weight on
shoulders to retire
enjoy a glass of red wine
and much needed solitude
let the music
move from neckline
to fingertips

as it always has
as it always will

understand every offering
at your fingertips
is hard earned
and the loneliness

that too

has been invited

“Be Content” is previously published in The Green Shoe Sanctuary (2022) and the chapbook No Longer Water (2024).

this bird

Katrina Kaye

never learned to nest

allows feathers to fall
without a thought to
where they may land

I too
am often on the wing

telling stories of lives
I could never take apart

this bird breaks to pieces
part of the puzzle that
wedged creation together

this birdsong

sweet as time

reaches

never touches

where should I hide
if not into myself

“this bird” is previously published on the Weekly Write (2020) and Saturday Salon (2020).

Coyote

Katrina Kaye

There is a coyote smeared across the road;
patchy fur in a heap,
blood pools around mangled corpse.

This is on a highway in Texas.

The truck is on its side
three miles from McLean.
I think of the song,

Bye, bye Miss American Pie
drove my Chevy to the levy
but the levy was dry
and them good old boys
drinking whiskey and rye…

The man is thrown at least 10ft,
but it may be farther.
Red horse blanket,
a scattering of clothes from spilt suitcase,
truck stop napkins dancing by the roadside.

There are no paramedics,
just a couple of ER rerun
med degrees holding the body straight.
Two men beat CPR on his bare
chest curled with wiry grey.

But the air is heavy,
thick with freshly departed soul.
As I drive through the meager parade
of on lookers, the world stills.

The flush of the wind flattens,
the rattle of the engine mutes,
bystanders mouths move soundless,
and the song chanting in my mind

singing this will be the day that I die,
this will be the day that I die…

stops.

In a moment of desperation
on the side of the highway in
the middle of nowhere, TX,
no one is breathing.

Not the male body sprawled to the ground
or the people hovering near him,
not the young girl running
or the child hugging his mother’s leg.
No one is breathing.

It is after that I begin to notice
the deer heaped in the median,
necks twisted and torsos thick with bloat,
hooves kicking skyward.
I count three within the five miles
of the crash site.

It is then I see the coyote.
His head thrown back,
patches of brown fur slaughtered red,
white teeth and bone ground to asphalt.

There is a collective understanding
when an innocent death is witnessed.
A universal helplessness
that spreads thick grease and holds
us captive and silent.
There is no dignity in road kill,
There is no beauty in crushed mandible,
no glory in stained hide or shattered hipbone.

It is a whimper,
not a snarl.
It is a turned over pick up,
sprawled belongings.
It is a bent mile marker
and missing reflectors.

Sometimes it’s indiscernible;
all you see is grass and sky and road,
a blind spot on a highway in Texas,
a broken man.

“Coyote” is previously published in September (2014) and as a performance on Youtube from the 2013 ABQ Grand Slam.