On My Own

Katrina Kaye

I

In front of the iron gates around my apartment,
the only shadows which move
are people passing through open doors.

II

I was in search for the peace your arms gave
like a home prematurely tornado torn from me.
I was in search of hands that mimicked your genius
and eyes like the little boy who traced my lifelines.

III

The first one swept me in a whirlwind of autumn leaves
and I spent the fall in a pantomime of satisfaction.

IV

A man and a woman
can stay warm on a November night.
A man and a woman and another woman
are the heat running out on a December morning.

V

I do not know which to prefer:
the sweet lies of a memory
or the blue eyes of the bartender.
The bed heated by his hunger
or the emptiness just after.

VI

Icicles hang abandoned
dripping in the April sun.
The shadow of a man
who healed my wounds
crossed it, to and fro.
The setting,
redeemed by the shades,
prepared me for a new spring.

VII

The thin man of my summer
preferred golden birds to shy sparrows
But that didn’t stop him
for taking two years with tender feet,
allowing a momentary blindness
by chestnut feathers.

VIII

I have always been a sucker for accents
and long fingers plucking strings;
I know, too,
that difference of enchantment and truth,
but I sometimes fall victim to enchantment.

IX

When the third blue eyed boy flew out of sight,
days after winter solstice,
I had not found the imprint of you.
I stopped retracing flight patterns.

X

I release myself in my past
reflecting on silly lovers and unreal expectations
allowing the idea of home to unravel.

You took the only home I’d ever know with you
on a September morning when the train pulled from station.

XI

When we were both 24
you rode over the state line
for a weekend visit,
but a fear pierced you,
and you fell asleep in hotel room
leaving me waiting alone at window table
watching birds perch on telephone wires.

It was the last time I heard from you.

XII

My mouth cannot hold on to bitterness
but it does not retain hope either.

XIII

Evening crept into afternoon.
I lounge in solidarity.
I no longer look for home
in the cracked shells of the past.

But isn’t this how

Katrina Kaye

we should live our lives?

Listening to music about fools in love;
dancing without worrying about
matching the beat; humming along

because there is no shame
in not knowing the words;

glancing out the window at
a blue sky; watching the mimosa flowers
wave from the neighbor’s yard;
writing poetry about the
potential of the world which humanity
does not deserve.

Our only noble purpose as a species is to
adore the raw beauty of our earth.

We were never meant to participate in the play,
we were meant to enjoy it, appreciate it,
applaud all its hard work to become
something sustainable for a species
as miserable as humankind who has
war and money and all the small chaos
we insisted on inventing.

We take for granted the things
that we are not credited. We act
unimpressed at the pure magic that
is this existence –

Perhaps if we slow down, if we watch
and listen and sit very still, we can enjoy
the show created for our pleasure.

“But isn’t this how” is previously published by Cajun Mutt Press (2024).

Father

Katrina Kaye

Allow a streak of light
from single bulb hallway
to lay across the floor.

Remind me, in this mild action,
there are heroes in the world,
not every action is based on
the selfish hunger of men.

On nights like this
the rocks of the world
lay heavy on my spine,
pinning me to an earth
I have no desire to inherit.

Let me hear the voices
down the hall. The influx
in cadence regardless of meaning,
the occasional laugh.

I am again
five years old asleep in
a stranger’s house feeling
no desire to resume the
party but comforted to know
it continues.

Leave the door cracked,
just enough, so I’ll know
when the house rings silent,
when the hall light finally dims
that I am completely alone.

“Father” is previously published in Chariot Press (2022). Talon (2022), and Greatest City Diary (2022).