There’s a Girl

Katrina Kaye

There’s a girl
at the Route 66 gas station
asking for change.

You don’t have any,
but you offer to buy
her a soda on your credit card
as you pay for a pack of cigarettes
and a cup of coffee.

She is grateful,
says that’s all she really needs.

She’s with her mother,
a tired, silent woman,
grey hair greased to scalp,
sitting on the curb out front.
The old woman never speaks.

This girl has tattoos on her neck,
one by her eye.
Amateur ink scribbled
by shaking hands.

She’s thanks you again,
says she has make up to sell,
nose rings,
other small snatchable items
that seep out of her pocket.

You listen,
you refuse.

She won’t let you leave till you
take a bottle of nail polish
in gratitude.
It’s a color you will never wear.

You know her,
this girl,
with the too thin limbs
and chapped lips.

You almost were her
once.
Asking for change,
grateful for just a kind reply.

You still feel ashamed
for all you had,
that you let slip away.

She asks for a ride.
You lie and say you’re going the other way.
She nods, smiles,
knows where your line sticks.
Your eyes reflect each other
as both recognized the person
you could have become.

“There’s a Girl” is previously published in Chasing Rabbits (2014).

Erosion

Katrina Kaye

My façade is masonry.

Mineral matter

solidified

over supple flesh
of chin and chest.

I have built myself
into marble statue
perpetual in posture.

When you hit gravel,
I was the stepping stone
that supported your climb.
When you couldn’t swim any longer
I was an island to lie upon.

You said I was your rock:

stone held firmly in place,
lacking malleability,
solid under weight bending back.

You said you needed me
to hold you up,

keep free of fierce waters,
and blackened ravines.

You said I am
your stable support,

but my material,
though durable,
lacks permanence.

The smallest stream
cuts through
the hardest of granite
after years of rain.

Mountains weather to remnants,
boulders become sand,
and pebbles playing on the beach
move easily in the
pull and tug of changing tide.

I have not remained picturesque
from years of exposure to your elements.

My exterior is worn, eroded,
and when I crack
there will be no gems to harvest,

just hollow.

The firmer your hold on my splintering surface
the more you will strip me to sediments,
until there
is nothing left

of me

for you.

“Erosion” is previously published in They Don’t Make Memories Like That Anymore (2011).

Mare

Katrina Kaye

Time whispers
a voice honeyed jasmine
thick with moss.

She has grown old
against the evening sun,
enveloped in the dust of dusk.

In the reflection
of stagnant pools,
she doesn’t ripple.

Merely notes
the landmarks of her face,
the constancy of her mind.

Time staggers forward.

“Mare” is previously published in My Woven Poetry (2021), Roi Faineant Literary Press (2021), and Flare (2022).